John Moutoussamy House, 361 East Eighty-Ninth Place

by Lee Bey

An excerpt from Southern Exposure: The Overlooked Architecture of Chicago’s South Side

John Moutoussamy was the first black architect to make partner at a majority white Chicago architecture firm. His Johnson Publishing Building on South Michigan Avenue is still the only downtown skyscraper designed by a black person.

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John Moutoussamy House, 361 East Eighty-Ninth Place
Architect Moutoussamy designed this elegant one-story home for himself and his family

Lesser known is the refined modernist home Moutoussamy designed for himself, his wife, and three children at 361 East Eighty-Ninth Place in the South Side’s Chatham community. Built in 1954, the blonde-brick residence is elegant in its simplicity; the home and its integrated garage greet the street as a single rectangular piece.

The Moutoussamy House is part of a notable cluster of modernist houses that were built in Chatham as the neighborhood became a prime spot for solidly middle-class and well-off African Americans in the 1950s and 1960s.

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LEE BEY is a photographer, writer, lecturer, and consultant who documents and interprets the built environment—and the often complex political, social, and racial forces that shape spaces and places. His writing on architecture and urban design has been featured in ArchitectChicago magazine, Architectural Record, and many news outlets. His photography has appeared in Chicago ArchitectOld-House JournalCITE, and in international design publications, including Bauwelt and Modulør. A former Chicago Sun-Times architecture critic, Bey is also a senior lecturer at the School of the Art Institute of Chicago and served as deputy chief of staff for urban planning under former Chicago mayor Richard M. Daley.

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From SOUTHERN EXPOSURE: The Overlooked Architecture of Chicago’s South Side. Text and photographs copyright © 2019 by Lee Bey. Foreword copyright © 2019 by Amanda Williams. Published 2019 by Northwestern University Press. All rights reserved.

Northwestern University Press gratefully acknowledges the support of the the Graham Foundation for Advanced Studies in the Fine Arts.

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